Sunday, 29 November 2015

Zen Pencils

Been trying to think abut how I can illustrate the shooting scene in my book without it being too graphic. Then I remembered this comic strip by Gavin Than of Zen Pencils. In my book I wrote "A gun was instantly pointed at Malala and three shots filled the silence" I think just showing the gun being pointed at Malala illustrates this line good enough. The actual shooting is implied rather than graphically depicted so it is more appropriate for the target reader.
full comic strip here.

Saturday, 28 November 2015

Revised Manuscript

I have made slight changes to my script - simplified some of the sentences and words so it would be more suitable for the target reader. I also came up with a title, though still not sure about it? I was originally going to name it 'The girl who stood up' but this is in the the title of her autobiography, I don't know if that will be a problem, so I decided to keep it as what I have for now and see what Teresa thinks in the next progress tutorial.


The Malala quotes below will be used in book:

(page before story starts)
“If one man can destroy everything, why can't one girl change it?
We must tell girls their voices are important."

(on the back cover)
"I don't want to be remembered as the girl who was shot. I want to be remembered as the girl who stood up"

I will also have decorative pages at beginning and end of book, these will have the map of Pakistan/The Swat Valley on it so that the kids will have an idea of where the story is set.

Friday, 27 November 2015

Manuscript Review


Had my script reviewed by Teresa today in the progress tutorial and she said that its a very good start indeed! Though she suggested I simplify some of the words and sentences to make it even easier for kids to comprehend.

Thursday, 26 November 2015

Power of Women: Post-Feminist Criticism

Danesi, M. (2012) Popular Culture: Introductory Perspectives. United States: Rowman & Littlefield Publishers.

Movies have become out contemporary storytellers. In his first full-length animated feature of 1937, Snow White and the Seven Dwarfs, Walt Disney showed the power of cinema as a raconteur of mythic stories in modern guise. (p.152)

Based on but significantly differing from, the original 1810 story by the Grimm brothers, the story reminds us of the mythic power of womanhood beneath its textual surface. The only truly powerful characters in the story are two women-Snow White and the evil queen. The men are either dwarfs serving their newfound mistress faithfully, or else hey serve a perfunctory role*. Snow White is a ruler of Nature. All respond to her command, from the animals to the dwarfs and the Prince, who is beckoned to her side by an implicit natural instinct. (p.153)

*(such as providing an anonymous kiss).

Also evident in Cinderella (1950) and Sleeping Beauty (1959).

Beauty and the Beast - Mulan

Disney films seem to assign rigid roles to women and people of colour, though it becomes more complicated in Beauty and the Beast (1991) and Mulan (1998). Both show defiance to follow the path that is predestined by their gender. However, their self-confidence and strength is discontinued when they end up marrying a prominent male character.

Giroux, H. A. and Pollock, G. (2010) The Mouse that Roared: Disney and the End of Innocence. United States: Rowman & Littlefield Publishers.

Disney promoters labeled Belle a feminist because she rejects and vilifies Gaston, the ultimate macho man. It is possible to interpret Beauty and the Beast as a rejection of hypermasculinity, but Belle's reformation of the Beast "implies that women are responsible for controlling male anger and violence. If a woman is only pretty and sweet enough, she can transform and abusive man into a prince - forever." In this reading, Belle is less the focus of the film than a prop or "mechanism for solving the Beast's dimemma." Whatever subversive qualities Belle initial personifies in the film, in the end she simply becomes another woman whose life is valued for how she can patiently solve a man's problems - and withstand emotional and physical abuse along the way. (p.106)


Mulan may be an independent, strong willed young woman, but the ultimate payoff for her bravery comes in the form of attracting the handsome son of a general. And if the point is missed, when the heroine's grandmother first sees the young man as he enters Mulan's house, she affirms what she (the audience?) sees as Mulan's real victory - catching a man - and yells out, "Sign me up for the next war!" (p.107)

... Disney reminds us at the conclusion of the film that Mulan is still a girl in search of a man (p.107)

Wednesday, 25 November 2015

hmm.

well, I contacted Rainbow Factory as mentioned in earlier posts and.. 
no help really.. s'alright.

***Flawless

Whilst I was reading about beauty and marriage in the last post, Beyoncé's song came to mind. Her song Flawless features Nigerian writer, Chimamanda Ngozi Adichie's speech titled "We Should All Be Feminists" delivered at a TEDxEuston conference (video below):


Her speech is really interesting to watch and really thoughtful - you should all watch it too. Her speech is basically everything that I've found out about what fairy tales teach about gender. The line that really caught my attention (and is featured in Beyoncé's song) was:

"Because I'm female, I'm expected to aspire to marriage; I'm expected to make my life choices always keeping in mind that marriage is the most important. A marriage can be a good thing; it can be a source of joy and love and mutual support. But why do we teach girls to aspire to marriage and we don't teach boys the same?" [14:08]

This is basically what most fairy tales also teach girls; to aspire for marriage and nothing else. Disney's adaptation of Hans Christian Andersen's The Little Mermaid for example shows how Ariel gives up everything (her identity as a mermaid, her voice, family, life in the ocean, a job, a dream, a career) just to be with Prince Eric, which does not teach a very good lesson - it encourages girls to give up any professional goals and therefore settle for the lowest common denominator. Masculinity is also linked with money in fairy tales - most men are wealthy princes. This implies that you fail as a man if you cannot provide adequate economic support for one’s family. This is a substantial amount of pressure for young men, one that surely is quite damaging. Adichie also talks about this in her speech at 11:20.

Beauty and Marriage

Some Day My Prince Will Come
Marcia R. Lieberman
College English
Vol. 34, No. 3 (Dec., 1972), pp. 383-395

p.385
The beauty contest is a constant and primary device in many stories. Where there are several daughters in a family, or several unrelated girls in a story, the prettiest is invariably singled out and designated for reward.

..the focus on beauty as a girl's most valuable asset, perhaps her only asset. Good-temper and meekness are so regularly associated with beauty, and ill-temper with ugliness, that in itself must influence children's expectations. (e.g Cinderella)

This pattern, and the concomitant one of reward distribution, probably acts to promote jealousy and divisiveness among girls.

Girls may be predisposed to imagine that there is a link between the lovable face and the lovable character, and to fear, if plain themselves, that they will also prove to be unpleasant, thus using the patterns to set up self-fulfilling prophecies.

p.386
Since heroines are chosen for their beauty (en soi), not for anything they do (pour soi), they seem to exist passively until they are see by the hero, or described to him. They wait, are chosen, and are rewarded.

Marriage is the fulcrum and major event of nearly every fairy tale; it is the reward for girls, sometimes punishment.

Poor boys play an active role in winning kingdoms and princesses.

Poor girls are chosen by princes because they have been seen by them.

Marriage is associated with getting rich: it will be seen that the reward basis in fairy and folk tales is overwhelmingly mercenary. Good, poor, and pretty girls always win rich and handsome princes, never merely handsome, good, but poor men.

Since girls are chosen for their beauty, it is easy for a child to infer that beauty leads to wealth, that being chosen means getting rich. 

Sanitization: Andrew Lang & Disney

In her dissertation...
Goddard-Pritchett, G. C. (2010) Phantasmagorical Culture: A Discussion of Disney as a Creator and a Cultural Phenomenon. Print.

p.2
Disney Studios uses stark American ideals - sanitation, innocence, and the division between good and evil - to homogenize, sanitize, and neotenize European fairy tales into trademark Disney versions.

Walt Disney Studios has a self-serving agenda that, in part, prescribes social norms and roles that would be inappropriate were they witnessed outside a Disney film. Innocence, or the carefully manipulated impression thereof, undercuts any criticism of Disney film, so American culture accepts and embraces denigrations of both race and gender.... people resist seeing it as offering anything but benign entertainment.

America is not likely to change its attitude toward Disney. Disney Studios is so successful because, at least in part, at one time in their history, the studios figured out what people wanted and how to give it to them. Disney movies evoke memories of golden childhood days.

p.5
By the late 1800s, scholars discouraged distributing fairy tales to youth based on the idea that they were too violent and too full of escapism and other fantastic elements.

In 1889, a Scottish literary critic named Andrew Lang published what was to become the first of a series: The Blue Fairy Book. Andrew Lang's Coloured Fairy Books, published 1889-1910, brought the stories, this time collected from all over the world, to the front of children;s literature. His collection was designed to accommodate a strictly children's audience, and it so successfully reignited interest in the genre that enthusiasts and imitators brought the series to the United States.

..the fairy tales Lang collected are sanitized versions of earlier stories

p.383 (Someday my prince will come - Lieberman)
Andrew Lang, for instance, chose the tales in his Blue Fairy Book (first published in 1889) from among literally thousands known to him as a folklorist; and he chose them partly for their moral lesson. Folk takes recorded in the field by scholars are full of everything Lang leaves out: sex, death, low humour, and female initiative.

p.6
And thus the twentieth century tamed the fairy.

Concurrent with the sanitization, the fairy tale moved from page to screen with the production of motion pictures.

In each transformation of media, the fairy tale lost some of its power.

In 1937, when Walt Disney entered popular fairy tale discourse with Snow White and the Seven Dwarfs, the fairy tale was primed for popular consumption, especially in a culture reeling from the Great Depression. Disney films gave a disappointed and disillusioned public hope and offered an escape from financial worries. Part of Disney's success in the endeavor stemmed from his marketing of his own rags to riches story. 

p.12
Today, Disney Studios operates on the same principle of sanitation and control that guided the development of Snow White. The "good" characters are generally drawn with childlike characteristics: big, round features and bright colours; "bad" characters are big, dark, and have sharper angles in their features (i.e., the Genie and Jafar in Aladdin).

p.15
Generally, the changes Walt Disney made were to the original themes and characters; however, many argue that the Disney version of fairy tales tends to take away the essence of the original tales, and by sanitizing the plot to suit an American audience, takes away the motivations of the characters and changes the original intents of many of the tales.

Tuesday, 24 November 2015

Things Walt Disney Never Told Us

Kay Stone
The Journal of American Folklore

Vol. 88, No. 347, Women and Folklore (Jan. - Mar., 1975), pp. 42-50

p.44
Disney produced three films based on Märchen ("Sleeping Beauty" and "Snow White" from the Grimms and "Cinderella" from Perrault). All three had passive, pretty heroines, and all three had female villains, thus strongly reinforcing the already popular stereotype of the innocent beauty victimized by the wicked villainess.

But Walt Disney is responsible not only for amplifying the stereotype of good versus bad women suggested by the children's books based on the Grimms, he must also be criticized for his portrayal of a cloying fantasy world filled with cute beings existing among pretty flowers and singing animals. Though a recent magazine article calls him a "Master of Fantasy," in fact Disney has removed most of the powerful fantasy of the Märchen and replaced it with false magic.

In brief, the popularized heroines of the Grimms and Disney are not only passive and pretty, but also unusually patient, obedient, industrious, and quiet. A woman who failed to be any of these could not become a heroine. Even Cinderella has to do more than put on dirty rags to conceal herself completely. She is a heroine only when properly cleaned and dressed.

p.45
The only tests of most heroines require nothing beyond what they are born with: a beautiful face, tiny feet, or a pleasing temperament. At least that is what we learn from the translations of the Grimm tales, and especially from Walt Disney.

p.45-46
We must look closely to discover that it is at puberty that Rapunzel is locked in a tower, Snow White is sent out to be murdered, and Sleeping Beauty put to sleep. Such heroines have their freedom severely restricted at a time in life when heroes are discovering full independence and increased power. Restrictions on girls at puberty, in contrast to the increased freedom their brothers enjoy, possibly explain the intensely sympathetic reaction many women have to such passive heroines in fairy tales.

p.48
A popular psychiatrist, the late Eric Berne, felt that fairy tales offer not only dreams and hopes but actual programs of behaviour. Your favourite fairy tale may parallel and inform your attitudes and acts.

I interviewed forty women of varying ages and background. All had read fairy tales, almost all could name several favourite heroines but rarely any heroes, and most of these tales were from Disney of the Grimms. Many admitted that they ere certainly influenced by their reading of fairy tales. Some had openly admired the lovely princesses and hoped to imitate them - especially their ability to obtain a man and a suburban castle without much effort.

p.49
Among the informants, whether they admired Cinderella or found her boring, whether they felt heroines like Gretel were active or not, there was a general agreement that considerably more diversity would have been welcome.

The Cinderella Complex

The Cinderella complex was first described by Colette Dowling, who wrote a book on women's fear of independence – an unconscious desire to be taken care of by others. The complex is said to become more apparent as a person grows older.

nytimes.com

This article is adapted from ''The Cinderella Complex: Women's Hidden Fear of Independence,'' by Colette Dowling, to be published in May by Summit Books. - March 22, 1981
.
.

Women are brought up to depend on a man and to feel naked and frightened without one. We have been taught to believe that as females we cannot stand alone, that we are too fragile, too delicate, too needful of protection.

Women's leanings toward dependence are, for the most part, deeply buried. Dependency is frightening. It makes us anxious because it has its roots in infancy, when we were indeed helpless. We do what we can to hide these needs from ourselves - especially now, with the new, socially encouraged thrust toward independence. But that part, buried and denied, is the troublemaker. It affects the way women think and act and speak - and not just some women, but, to varying degrees, virtually all women.

Hidden dependency needs are causing problems for the protected housewife who has to ask her husband for permission to buy a dress as well as for the career woman with a six-figure income who is unable to sleep at night when her mate is out of town. The Cinderella Complex leads to inappropriate or ineffectual behavior on the job, to anxiety about success, to the fear that independence will lead to loss of femininity. These fears are not surprising, considering that only a generation ago dependency was inextricably linked with what it meant to be feminine.

Many women still enter careers with the repressed expectation that work is temporary, a condition from which they will one day be rescued.

Many women also feel intense anxiety over public speaking. In a survey of 200 students training to become psychoanalysts at the William Alanson White Institute in New York, Ruth Moulton, a senior training analyst there (she is also on the faculty of Columbia University) found that 25 percent of the women tested were unable to speak in public, as compared with 20 percent of the men.

The way women talk affects the way others deal with them. ''Speech may not only reflect power differences,'' notes Mary Brown Parlee, a psychologist in New York City, ''it may help to create them.''

Lack of self-confidence affects women's self-image and consequently their ability to function effectively, other research shows.

Confidence and self-esteem are primary issues for women in dealing with achievement. Lack of confidence leads into the dark waters of envy. We tend to see men as functioning effortlessly - and, like girls who envy the unfettered freedom of older brothers, we find it easier to focus on how ''lucky'' men are and how ''unlucky'' we are.

To encourage independence - in girls as well as in boys - active, systematic intervention is required. The trouble, many psychologists believe, is that while little boys are interrupted in their dependency patterns and weaned from them, little girls are not.

Dependency training begins very early in the life of a girl. Female babies are handled less frequently and less vigorously than boys. (Comparative data about how infant boys and infant girls are treated - and responded to - by mothers come from a major overview of studies in the field conducted by Lois Wladis Hoffman of the University of Michigan and entitled ''Early Childhood Experiences and Women's Achievement Motives.'' The study was published in 1972 in The Journal of Social Issues.) In spite of their greater sturdiness and developmental maturity, girls are thought to be more fragile. Receiving less physical stimulation, they may not get the same kind of encouragement boys receive for their early exploratory ventures. Apprehension about a girl's safety is exhibited by her parents before she is even out of the crib.

A 1976 study showed that parents make a sex distinction when they interpret the meaning of babies' cries. The same infant's cry was perceived by parents as expressing fear if the child was thought to be a girl and anger if the child was thought to be a boy. Moreover, Mother responds differently to the crying. When her baby girl bawls, she is more likely to drop what she is doing and run to comfort her. (Apparently, parents are more comfortable ignoring squawks from baby boys.) Another notable difference is that the mother will increase her contact with a baby girl who is irritable, but decrease it with a son - even when the son is more irritable.

Such early conditioning, says Lois Hoffman, could well signify ''the beginning of a pattern of interaction in which the daughters quickly learn that the mother is a source of comfort and the mother's behavior is reinforced by the cessation of the crying.''

Summing up her review of early childhood studies, Lois Hoffman wrote in the Journal of Social Issues: ''Since girls as compared to boys have less encouragement for independence, more parental protectiveness, less pressure for establishing an identity separate from the mother, and less motherchild conflict which highlights this separation, they engage in less independent exploration of their environments. As a result they develop neither adequate skills nor confidence but continue to be dependent on others. Thus while boys learn effectance through mastery, the effectiveness of girls is contingent on eliciting the help of others.''

The task of developing successful relationships with others becomes increasingly important - some psychologists say it is of chief importance. As she learned to do in childhood, she continues to depend on feedback from others as her main source of self-esteem.

''Modern women are still influenced unconsciously by old assumptions that masculinity implies strength, dominance, superiority and success,'' says Dr. Moulton. ''Thus, to be successful means to many women that they are unfeminine and unlovable.''

The young girl gets her definition of femininity from observing the women she sees around her.

D. L. Ashliman online database

Cinderella
'The Little Glass Slipper' - Charles Perrault, France
'Cinderella' - Jacob and Wilhelm Grimm, Germany

Snow White
'Little Snow-White' - Jacob and Wilhelm Grimm, 1812 version.
'Little Snow-White' - Jacob and Wilhelm Grimm, 1857 version.

Sleeping Beauty
'The Sleeping Beauty In The Woods' - Charles Perrault, France
'Little Brier-Rose' - Jacob and Wilhelm Grimm, 1812 version.
'Little Brier-Rose' - Jacob and Wilhelm Grimm, 1857 version.

Beauty and the Beast
'The Summer and Winter Garden' - Jacob and Wilhelm Grimm, Germany
'The Singing, Springing Lark' - Jacob and Wilhelm Grimm, Germany

The Little Mermaid
'The Little Mermaid' - Hans Christian Andersen, 1836

Friday, 20 November 2015

Book Dummy

As mentioned in previous post, instead of a fully finished book, I will be producing a book dummy and a couple of fully rendered pages to go with it. Just to clarify what I mean, below is an example of a book dummy by Mike Petrik for his Little Red Riding Hood Book and also the fully rendered versions:

Book Dummy:

Final Render:

More here.

Inspiration: Junyi Wu


I love, love, love Junyi's digital landscapes! They are so dreamy - just like how Malala makes the Swat Valley to be! Junyi mostly works with shapes and uses the lasso and gradient tool in photoshop, which I do too most of the time! Since my brain already works in shapes when I make images, I think it might be wise to try out this style for my book - might make it more time efficient since I'm already familiar with the process.

Wednesday, 18 November 2015

Script!

Finally finished the wording for my book! I used some of what she said in her book in this as I wanted to capture as much as what she felt when all of this happened. Whilst I was reading her book, I could totally relate to her homesickness. Though I've lived in England for years and love it, all my extended family live in Indonesia and I miss them a lot!

Anyway, I need this checked, for grammars and stuff.. But yay! now I can finally start doing sketches!


I want to experiment using these colours as a starting point for most of my illustrations (though I will probably use all sorts like I usually do):
I have a vision where Malala is illustrated in the hot colours and everything else in cool colours. to keep the focus on her and also to show that she is a person full of fire and determination (also because her favourite colour is pink).

Swat Valley

Jamey Christoph's illustrations below really remind me of what Malala said in her book about Swat Valley, where she is from. In her book she describes Swat Valley as:

"The most beautiful place in the world."
"A heavenly kingdom of mountains, gushing waterfalls and crystal-clear lakes"
"Paradise.. fields of wild flowers, orchards of delicious fruit, emerald mines and rivers full of trout"
"Switzerland of the East"


I'm going to try out illustrating in a similar way that Jamey has done and also using similar colours to capture the serenity of the place.

I've also started collecting reference photos:

Follow Aghnia Mardiyah's board Book ref CoP3 on Pinterest.

Saturday, 14 November 2015

Inspiration: Triona Farrell

I saw Triona's work at Thought Bubble today and gave me the Malala vibes! On the back of the comic, the description she put on it is, 'a stand alone comic that focuses on colour and detail work' which makes sense! I like how she has used a limited colour palette here just like how I want to try doing with my own Malala book!

Thursday, 12 November 2015

All is well.


Had my CoP tutorial with Teresa today. She had a look at where I'm up to with my dissertation and all is well - thank goodness. Also talked a little about my cop practical - because I'm feeling a tiny bit anxious about the time scales in relation to what I want to produce, she suggested for me to make a black and white dummy book instead of a fully finished book. and then to accompany the dummy book, a couple of the pages done in full, to a finished professional standard as this is what you would take (as proposal) to a publisher.

But of course if I feel like I can manage to make a fully finished one - I'll do just that. She also told me that there was a rule with picture books - which I didn't know about! Minimum page for a children's book is 32 and then 48. oh my gooooodness!

So just to make it clear for me and you - deliverables (minimum):
  • Script
  • dummy book in black and white - sketches
  • 3 double pages done in full.

Sunday, 8 November 2015

Inspiration: Jamey Christoph

I love how Jamey uses colour! His illustrations are very atmospheric because of it. I think using a set colour palette might be a good idea for me to save more time - as this will stop me from taking too much time picking colours for different things in one illustration.


For example, like Jamey's illustration above, I could use colours that connote peace and serenity; happy colours for the illustrations/events that happened before the shooting in Malala's story. And colours that connote violence and brutality; angry colours for when the shooting takes place and then back to more peaceful colours for when all is okay again. Using simplified graphic shapes/language like in some of Jamey's illustrations could also help me reduce production time?.. I'll have to try it out.


Follow Aghnia Mardiyah's board Jamey Christoph on Pinterest.

Dissertation Structure

Essay Title: The influence of fairy tales on children's perception of gender.

STRUCTURE
(word count is there for guidance only - might change later on)

Introduction (500 words) Brief overview of dissertation - do last maybe?
  • General ideas that will be discussed in further details
  • What is this essay investigating? 
    • Influence of fairy tales on the formation of children's identity.
    • Fairy tales contribution to children's behavioural patterns, value systems and the formation of gender ideology and stereotypes.
  • Why is this relevant to society today?


Chapter 1 (2000 words) - What are fairy tales? 
  • Oral tradition to written text - origins - impossible to date origin because they started with the oral tradition.
  • Talk about writers Charles Perrault, The Brothers Grimm and Hans Christian Anderson - their backgrounds.
  • What were the aims of their fairy tales? Talk about the society at the time these were written - its effect (moral lessons but also instilling traditional values - gender roles).
  • Also raise points about racism - no person of colour in these tales - symbolism in colour - white = purity, good. Black = evil, bad.


Chapter 2 (2000 words) - Roles of males and females in fairytales
  • Talk about this in relation to works by writers mentioned in previous chapter
    • Use examples of their tales to explain in further detail - Compare and contrast different versions of the same tale:
    • Cinderella
    • Snow White
    • Sleeping Beauty
    • Beauty and the Beast
    • The Little Mermaid
  • Overall feeling is that women in fairy tales are less active than men.
  • The effect this has on young people's self-images


Chapter 3 (2000 words) - Adaptations - Fairy tales in contemporary times
  • 20th Century - the advent of filmmaking, fairy tales appeared in a new medium.
  • Influence of television viewing as a whole - similar to books, learning from TV has much to do with peoples' pre-existing schemas.
  • Talk about Walt Disney - how his fairy tales became widely popular movies - why? perhaps it is the sanitising of the tales plus the musical element that makes it seem harmless and appeal more?
  • Talk about how gender roles are still quite the same in his movies
    • link with examples of his movies:
    • Cinderella, Snow White, Sleeping Beauty, Beauty and the Beast, The Little Mermaid etc.
    • What's changed, what hasn't changed?
    • Could mention how they've started to challenge social and gender norms - e.g. with Aladdin, Princess and the Frog, Tangled, Frozen.


Chapter 4 (2000 words) - Applying own research
  • Remind that the purpose of this study was to evaluate if fairy tales (literary classics and Disney's movies) influenced children's perception of gender in a negative way.
  • Data collection and analysis
  • Has the perception of gender roles changed?
  • Link back to points mentioned in previous chapters to further justify it.


Conclusion (500 words) - Summarise and Evaluate
  • What do fairy tales teach?
  • Are they harmful to children? or are they good?
  • Should fairy tales be eradicated from our lives? (fairytales hold a special place in the childhoods of most people even today)
  • The necessity for change (modification and modernisation of fairy tales in children's books/tv/movies could be a way to change children's perceptions of gender).
  • Why this is important - could even be used to address social norms and the gender powers structure to break the cycle of global poverty - to develop girls' positive perceptions of themselves and shift how others see and value them.

Friday, 6 November 2015

Inspiration: EliOli

EliOli (Elena and Olivia) are self taught twin sisters who now works at DreamWorks/Big Idea Production. I've been following them for a while now and what I love most about their art is that many of them have quite simple compositions but they are so full of life! I think the textures/strokes of the brush, colour and lighting is what makes their work so recognisable. I'd like to try this kind of style for my book, as I think the simple compositions would allow for an easier read and perhaps it would be less time consuming? - considering I have about 10 weeks left of this project, I think it would be a good idea to keep things simple.


My plan for the book is to not show graphic scenes explicitly, as I want it to be suitable for even the youngest of readers. In the peer review yesterday, I was asked how I would show the graphic scenes without showing graphic scenes - Well, colour can evoke powerful emotions in us so I was thinking to focus on colour as well as texture in my work to try influence the reader's moods and feelings.

Thursday, 5 November 2015

He Named Me Malala

I bought Malala's book a few weeks ago as I wanted to get deep into her story, so I have heard about the movie that they've made about Malala. but this video posted by Emma Watson on Facebook has made me really curious about it, and its making want to watch it! - its also got animation in it! definitely going to make time to see it!



Trailer:

Peer Review Feedback

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I feel pretty confident about my idea after the peer review - my peers actually said that they can see a clear link between my research topic and the practical - which is good for me, because I've never been very good at synthesising between the two in previous cop projects!

Though I do have a clear plan on how I want the story to go, there is still that nervousness whether I'd be able to complete it in time for the deadline - I recon I can do it and people also think I can do it, since I usually work pretty quick once I have everything prepared - but there is always going to be that underlying anxiousness within me.

The most important thing that I got out of this peer review is to start drawing! Start collecting visual references, drawing scenes, and character design! - which was my plan for yesterday, but I got sidetracked with a meeting with a reporter from Asian Express Newspaper, who's doing a story about the children's book I illustrated for Leeds children's hospital.

But I think it's wiser to come up with the words for the book first - so I don't waste time drawing things that I don't need to draw! - I know its good to just draw and explore through a "visual journal", but that is not how I work and I am not a fan of wasting time - so I'm going to be stubborn and do this my way, just for once. I am in charge of my own practice after all.

To sum up/action plan:
  • Good idea - strong link
  • make sure I manage my time well in order to have a good quality book and complete in time for submission deadline.
  • Start investigating character design.
  • Come up with words for book.
  • Start to visualise scenes according to words - sketches and thumbnails.
  • Start producing final artwork
  • Layout and print

Tuesday, 3 November 2015

Practical Review Prep

I've created presentation boards to bring to the peer review this Thursday to show 1. the what (problem), 2. the why (effect) and 3. the how (solution) so it's clear to everybody what my intentions are. A bit text heavy but oh well.. also will hopefully have sketches to bring on Thursday too! This is just the reasons behind the idea, because I usually forget things to say when it comes to peer reviews.. bummer really:

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I made an extra slide, to explain my plan a bit more as I am not prepared to do sketches yet - need to finish reading Malala's book and come up with the words for the story first.

Monday, 2 November 2015

Girl Heroes

As a response to my CoP3 dissertation in which I will be exploring the influence of fairy tales on children's perceptions of gender, I plan to create a short children's picture book about Malala's story.

Why?
Malala is an icon for bravery, courage and hope and is such an inspiration for all females (and males), children and even adults - what better way to teach kids of real bravery and courage than using the story of a real person as example?

Children's perceptions of gender-roles are highly influenced by what they read and what they watch. Social learning theorists argue that children are more likely to model themselves on same-sex individuals by paying more attention to same sex peers. 'Classic' fairy tales (which most children are exposed to from such a young age) are all based around the same principle where the female characters wait for their male counterparts to whisk them away to their happy ending. This could lead to little girls imitating and modelling themselves after the quite unassertive characteristics of female characters in these tales, instead of being active and leading their own lives - which can later affect them in their adulthood - constraining their lifetime opportunities for an education or a career or whatever ambitions they may have.

There is a potential to make a series of books based on girl heroes to continue on, maybe after graduation and Teresa thought it would be a good idea for me to research and identify more liberating stories around the world of girls who were once unfortunate or oppressed, that I could base my stories on.

Girl Effect is a wonderful source for stories that are happening every day around the world about girls who are making an effort to, or have already stood up or spoken up about what they believe in. Stories like these are the ones children - especially girls, should be more exposed to, to encourage them to act upon their own beliefs and achieve their own dreams as it is SO important!

This also opens up the opportunity to potentially work along side Girl Effect, maybe? (just thinking big, y'know) - proposing the books as a product for them to further develop girls' positive perceptions of themselves and shift how others see and value them.

Need for more cultural diversity

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Perception change is an important thing - Changing how girls view themselves and how society views girls, to create a better environment. Organisations like Girl Effect works to break the cycle of intergenerational poverty. We do this by connecting girls to each other and to the critical assets they need. We work to create lasting perception change by harnessing media in innovative ways and building social networks to develop girls' positive perceptions of themselves and shift how others see and value them.

I think one way to change the perception of girls is to have stronger, self-assertive female characters in children's books/tv/movies, and portraying more female characters of different cultures with these characteristics, especially in Disney's stuff, since they have a gigantic impact on children worldwide. Why? more girls in other parts of the world would be able to identify themselves with them.

For example, more children's books/tv/movies could be used to address social norms and the gender power structures to break the cycle of Global Poverty - which are problems in most developing countries:

1. Memory from Malawi and Achie from Ethiopia.

"But listen to Memory Banda, 18, from Malawi and 16-year old Achie (whose last name is not provided because of her age) from Ethiopia, and you'll hear an earful about a lot of things you wouldn't expect. They're talking about how tough it is to be young and female in Africa. They're discussing how child marriage and female genital mutilation are just two of the obstacles to girls getting an education. They're commiserating about the challenge of getting health care and of finding jobs that will let them lead a better life.

What made you want to work for women's rights?

Memory: In my community in southern part of Malawi the tradition is that once a girl reaches puberty, you go to an initiation camp where we are taught how to be a woman — how to satisfy a man. As part of that you go through a sexual initiation with a man.

And did you?

Memory: I did not. This was a hard decision. My family and friends were calling me a stubborn little girl because it felt to them like I was embarrassing the family. But for me it was a life decision. I knew that some girls come back pregnant, they get married, they cannot go to school, and if the men run away from their responsibility the girls are left on their own with the children. That was not for me. - (like Memory, girls should be reminded that they should be the one to control their own lives.)

But when my younger sister reached puberty, she went to the camp. She ended up getting pregnant and had to marry to the person who impregnated her. She was 11. This is what I saw and what I wanted to change.

Achie: I live in a nice neighborhood, and go to a good school, but this is not the life that many young girls in Ethiopia have.

Early marriage is also a problem in my country. There are traditional views about women, and they are not expected to go to school. There is also female genital mutilation. In my family there is nothing like that, but I would volunteer in organizations [to tutor] and I would talk to girls and hear their stories. Listening, you just have a feeling of how heavy a burden they are carrying and you cannot be quiet about it. When they share with you what they have experienced, you feel part of it and you want to act on it."


2. Why Is Violence against Girls and Women in South Asia Critical to Address?

The violence that women and girls are subjected to throughout their lives prevents them
from realizing their rights as human beings and as equal citizens.

Violence in childhood and later can also affect girls’ and women’s abilities to fully benefit from and participate in schooling and employment, thus constraining their lifetime opportunities for an education and a career. Violence not only affects the girls and women experiencing it and their families, but also can spiral across generations.

Starting with the beginning of the life cycle—that is, in childhood—South Asia has the highest levels of excess female child mortality among world regions. Within South Asia, India has the greatest excess female child mortality of all countries for which data are available; Bangladesh, Nepal, and Pakistan also show high levels.

South Asia also has the highest rate of child marriage in the world, with 46 percent of girls married by age 18. In Bangladesh, more than 40 percent of girls are married by age 15 (figure ES.1).

Qualitative data provide cautious optimism that attitudes toward child marriage may also be changing. Still, a divide persists between individual desires on the one hand and perceived cultural norms and compulsions for early marriage on the other, thus contributing to the persistence of
child marriage in the region.

A major barrier to needed legal and social reform is the continued lack of recognition that women and girls are first and foremost citizens, individuals who should be accorded the same rights and privileges as men and boys. A perception of women as victims or subjects—rather than as individuals with rights to their own identities, sexualities, and other forms of self-expression—has circumscribed the social and legal provisions for women’s safety. This perception perpetuates the patriarchal belief that female household members must be protected by men and in ways that ensure female conformity to roles defined by traditional, patriarchal norms.

Patriarchy in South Asia also creates other circumstances that perpetuate social norms conducive to continuing violence against women and girls. Most critically, both women and men are prescribed numerous attributes that are tied directly to feminine and masculine social identities and enforced not only by men but also by women.

Questionnaire?

I want to carry out a questionnaire survey to get some sort of idea on how much people actually know of the 'classic' literary fairy tale and how much of their knowledge of fairy tale is based upon those created by Disney. I've heard that if we want to do this, I would need to do it at a large scale for it to be more valid. But I think that by getting the whole first, second and third year of Illustration students to participate, it would still be valuable research and information. I have already prepared a questionnaire but think I'm going to ask Teresa first to see if this is a wise thing to carry out - if its worth it. Questionnaire below: